24Jan

Just Shoot Me

FILED IN Art | CEP 800 | CEP 815 | CEP 822 | Cognitive Tools | Content Area | Courses | Deep Play | Duration | Low | Quick | Required Skill | Technology No Comments

Abstract: As an introductory activity, Just Shoot Me, is specifically designed to immerse students in transformational learning, a theme that was emphasized throughout the entirety of the course.  Students were introduced to these themes through an activity that emphasized the cognitive skill of deep play. The activity required students to take a photograph of themselves that demonstrated an aspect of their personality or interests, and then share it with the class as a way of introducing themselves. In order to complete the activity successfully, students had to engage in deep play by thinking about their concept of self in new and different ways.

 

Description: Shortly after the beginning of class, students were given an hour to go outside of the classroom and take a photograph that represented themselves in a unique way.  The restrictions were that they could not take a traditional “head shot” type photograph, but one that included some context or artifiacts that were meaningful in some way.

 

Student Examples

 

27Dec

Good / Bad Design

FILED IN Art | CEP 817 | Half Day | Low | Modeling | Perceiving | Technology No Comments

Abstract: Equipped with some examples as a starting point, students identify and present examples of good and bad design in everyday life – from appliances to websites, in order to reflect on the essential features of good design.

Description: Over the course of the semester, or in a one-time-only brain reflection task, students are asked to identify examples of good and bad design. To illustrate what is meant by “good” and “bad” design, some examples are given in this PowerPoint file or through the Google Presentation document.

Some questions to think about – and to discuss in the presentation:

What does design do for us? I.e., why is design important?

What is common to all examples of bad design?

What was missing? What went wrong? Why?

What is common to examples of good design?

Examples of student work: You can also discuss this (and other issues related to good and bad design) in a virtual discussion group specifically created for this purpose, as in the original CEP 917 course. Go to the discussion forum...

History of the assignment:

22Dec

55 Fiction: Writing a short short story

FILED IN Abstracting | Art | CEP 817 | Deep Play | English | Foreign Language | Low | Short | Social Studies | Technology No Comments

Abstract: Students create an original 55-word short story and reflect on their thought processes in dealing with creative constraints, then share and vote for favorites to explore the transaction between developer and consumer of creative works.

Description: Your task is to write a short story. A really short story.

There are just two constraints. First, the story must be original. Second, your story has to be just 55 words long. That’s it. 55 words, no more, no less.

We did not make up these constraints. As it turns out, 55 Fiction, as this style is called, is a serious literary form. A quick search on Google for “55 Fiction” will reveal more sites devoted to this arcane art than you can shake a stick at. In fact if you think 55 words is restrictive, be thankful we did not ask you to write a story in 6 words (yes that is a genre of fiction too). The most famous and touching of 6 word stories is by, none other than, Hemmingway who wrote the following story: For sale. Baby shoes. Never used.

There is one additional requirement: Keep track of how you went about writing this story. How did you came up with the idea? How did your thoughts develop? What problems did you face? When did you see a solution? How did one idea lead to another? What did the entire process feel like? Frustrating? Liberating? A pain in the donkey? Take some notes of how the story evolved and reached its final stage.

Once you have written this story, post the story and a short writeup about the genesis of the story to the discussion board.

Note: We must warn you that writing such stories can be quite addictive. So don’t be surprised if you churn out more than one story. Feel free to share all or some of them. However, you HAVE to designate ONE (and only one) as being your official entry.

Follow-up activity:

Have the class vote on their favorite story, along with a rationale for why they picked the one they did. Debrief the activity with a discussion on why this art form teaches us quite a bit on creativity:

  • It is a creative act
  • It is a communicative act
  • It is an aesthetic act
  • It is constrained in multiple ways
    • by the medium
    • by constraints of time
    • by genre or the self imposed constraint of fitting everything in 55 words
  • The designer is being limited in what he/she can do
  • The reader does half the work
  • Meaning making/Aesthetic quality
    • Is a transaction
    • Between the reader and the designer
  • Design can both be fun and frustrating.

Examples of student work:

By Joost Guttinger:

Love and Hate
4×4 Toyota Landcruiser Jeep, 1985, perfect condition. Not for sale (yet). Love. Taking the off-roads, driving to my favorite climbing spots and virgin waterfalls. Hate. Buying new tyres, bribing African policemen, and cracking my windshield after hitting a pothole too fast and too hard. My Toyota, Love and Hate, but mostly Love.

By Lisa Siesser:

I just purchased the black boots I described in my last conversation.
A last conversation about the future that we shared.
While you were thinking about a future that was not to be.
And we all avoided thinking about the future that is.
I think that you must have known I would be wearing them.

By Nycki Cuddie:

“Agobiada,” she thought to herself. Overwhelmed.  Never before had this feeling struck with such vengeance. Five seconds of panic and two deep breaths, then she knew what she had to do.  She looked up, a dazzling smile on her face, and walked nonchalantly into the room and pretended to be someone else for twenty minutes.

22Dec

Making teaching suspenseful and post-dictable – A reflection task

FILED IN Art | Embodied Thinking | English | Foreign Language | Half Day | Low | Math | Music | Patterning | Physical Education | Science | Social Studies | Synthesizing | Technology No Comments

Abstract: Guided by exemplifying video clips, students are invited to reflect on their own teaching in terms of the degree to which it builds anticipation and “comes together” in a meaningful big picture at the end of a lesson or course.

Description:

Good teaching is (among a long list of other good things) postdictable, i.e. something that is “surprising initially, but then understandable with a bit of thought.” it walks the line between predictability and chaos, and most importantly makes sense post hoc. See these posts here and here on the idea of postdiction.

Step 1:

Consider the characteristics of “postdictable teaching”:

Postdictable teaching keeps us engaged, keeps us waiting for more, the payoff as it were. And best of all, once all the pieces are in, we can’t wait to go back and review everything again, to see just how beautifully the whole thing holds together. There is a strong aesthetic component to this – a sense of wholeness, closure, elegance, and inevitability. Good poems have this quality, as do mathematical theorems. A well crafted lecture or a lesson plan has this quality as well. In my mind these ideas are closely tied to the Dewey’s idea of experience and to the idea of design. Closely connected to the idea of postdictable is the idea of creating anticipation and suspense.

However making suspense work is difficult. Navigating this line between predictability and tension over the unknown is a fine art. Check out the two videos below, which highlight just how fine the line is between succeeding at creating suspense and anticipation and failing to do so. Both of these videos are interesting and well made – both have pace and rhythm but one of them builds anticipation while the other just happens. One tells a story, the other doesn’t.

Step 2:

View sample videos and reflect on teaching:

Watch both videos and ask yourself which one “works” in this sense and which one doesn’t.

Here’s one…
Blue Thousand and One from Blue Man Group HD on Vimeo.

… and here’s another:

Music Painting by JUL & MAT from JUL & MAT on Vimeo.

So what do you think? Both these videos were cool to watch – but don’t you think the one from the Blue Man Group a tad more interesting, both in its buildup and its dénouement? Even within its short time frame, the video sets up a narrative arc and creates, something akin to a classical dramatic structure. In contrast the second video, though visually interesting through out, loses steam somewhere half-way through. The action begins to seem repetitive and the movie lacks a narrative thrust. It lacks drama.

So what does this mean for teaching?

First, everything we do as educators needs a larger goal (the big picture as it were). Too often we get lost in the minutia of of the project and forget the broader, overarching frame. The structure of our lessons, our semester, our mini-activities needs to have a larger narrative thrust, a dramatic flow. A beginning, a middle and an end. A good science activity can have them all. So can a well designed social studies activity.

Second, every thing we do as educators needs to be subservient to meeting that larger goal. The Blue Man group movie works because each frame (and musical note) is part of a larger story being played out in front of us. Not a frame is wasted. In contrast, you could take away a chunk of the second and I doubt anybody would even notice. The first is design for anticipation, for postdiction. As educators this means that we can’t give our students stupid-work (like most seat work at school) but rather every assignment needs to inform the larger picture and in turn be informed by it.

Step 3:

Written/video/audio Reflection on moving your own teaching toward postdictability:

Take something you teach (whole course, specific module/lesson) and view it under the lens of suspense and postdiction. To what extent do individual activities and content come together to a larger, meaningful whole in the end, as opposed to simply checking off covered units? If your teaching resembles the ‘music painting’ more than the ‘blue man’ video, what are concrete ways in which you may be able to move it from the former more toward the latter? Share your 3 -5 best ideas via a medium of your choice.

Examples of Student Work:

History of the Assignment:

21Dec

“Playing Tag”

FILED IN Deep Play | Low | Perceiving | Quick | Short | Synthesizing 1 Comment

Abstract: This face-to-face activity replicates online social networking without the medium – by “tagging” oneself and fellow networkers in the room using sticky notes, enabling a new perspective on what usually happens online.

Description: Analog Social Networking

Basic steps of the exercise:

  • Participants in the room are invited to put business cards/ID cards on their chairs
  • They then tag themselves with keywords on sticky notes
  • Going around the room, they network by discussing their tags, words in common, and
  • They add more sticky notes to their own tags and tag each other as well
  • After everyone’s met a substantial amount of people, debrief

This exercise deliberately takes the technology out of networking in order to highlight different aspects of what occurs online. The National Writing Project Annual Meeting has used this activity originally, recreating a social networking experience by actually socially networking with the people – strangers with a shared interest area – in the room. By doing so, the cognitive tasks of what occurs in online environments became visible in new ways. In online social networking, our interactions may have become so commonplace as to become invisible, whereas taking the online-networking mechanisms (here the reliance on tags) back into the face-to-face world, we become aware of them again because they are now somewhat “strange.”

Thus, going around and discussing one’s tags, participants are able to make new connections and further our own learning, both about content as well as the networking process more generally.

Debriefing can be done with the lens of game[HK1] and play theory, highlighting the risk-taking that is necessary to really integrate something new.  Failing[HK2] to master something, especially something challenging, should be encouraged, because it is through failure that we learn.  When we learn through trial and error, we make that learning part of ourselves, those neural pathways become set, and we have a new piece of knowledge that also has meaning.  Facts and how-to’s are immediately available from a quick Google search, but to integrate that learning into our psyche: that has stickiness.  We won’t forget.

Fostering play and risk-taking is important especially for adult learners.  Most of us teachers were really good at school and loathe getting “Fs.”  But with technology, there are no grades, only the ability to puzzle through a tricky problem and come to a solution.  And so we play, we fail, and we try again.’

Examples of Student Work:

Tags picture

Assignment History: Adapted from Paul Allison, Bud Hunt, and Chris Sloan (original session at the National Writing Project Annual Meeting, 2010)


[HK1]Is there a “game and play theory” – don’t game theory and play theory make pretty different claims if taken individually?

[HK2]Does this relate to either of the theories mentioned? Clarification may help.

01Nov

Picturing Words

FILED IN Abstracting | CEP 818 | English | Foreign Language | Half Day | Low | Modeling | Short | Synthesizing No Comments

Abstract: This assignment asks students to define 10 vocabulary words graphically with a concrete image that captures the words essence, thus breaking out of the infinite regress of using words to define other words.

Description: At the heart of the assignment is an “old school” task: “Define 10 vocabulary words, and learn their meanings.” But, inspired by Michael Hughes (a CEP 818 alumnus), we are adding a “tech” component in that the definitions have to be graphics that illustrate the essence of the words. How about that for breaking out of the infinite regress of using words to define other words!

Gather as much information about the range of meanings of the word to be learned as possible – be sure to get a thorough understanding of the word in order to match it up with the most fitting picture. You will most likely have to make a decision between multiple possible visualizations of the same (more or less abstract) term, such as “eclectic,” but your choice should be a deliberate one. Don’t just go with the first image that “somehow works.”

Post your ten images to your blog – we will discuss your choices and those of your classmates in class/via blog responses, to see firsthand the range of possible meanings a given word can carry.

Purpose: This assignment works on many different levels:

1)    Students have to truly understand the word to come up with an appropriate picture.

2)    Second, engaging in this activity makes the words (which are often quite abstract) “concrete” in their minds in a powerful kind of way. There is of course an interesting paradox here. Words, these black squiggles on a page are often the most abstract form of representation – receiving their strength from this abstractness. The word “eclectic” for instance is a really abstract representation of the idea of eclectic. Making the word concrete in an image gives it a “here-now-ness” that helps understand its meaning.

3)    Third, and the flip side of the paradox, the danger of becoming too concrete via images, is undermined by the sheer variety of pictures that students have come up with to represent the same word, which is why students are asked to view and comment on each other’s work via blog posts and/or in class. This means that students receive a rich range of possible meanings of a given word, and through that the concrete and unique nature of “an” image is broken down.

4)    Fourth, the assignment brings a layer of visual literacy to a standard “old school” purely verbal task, pushing students to think about issues related to the strengths of visual versus verbal representation.

5)    Fifth, and finally, putting it online means that this assignment and student works can now be easily shared with others (as Michael did with Punya, as his students do with each other, and we are doing now via this website).

Examples of Student Work:

Here are some links to work that his sixth grade students have done. Some of the images the students came up with are just wonderful[H1] .


[H1]Some of these links may need verification

01Nov

Demotivational Posters

FILED IN Abstracting | CEP 817 | CEP 818 | Low | Medium | Short | Synthesizing No Comments

Abstract: In a twist on traditional inspirational or motivational posters with their serene photography and trite text, students combine images with text to create the opposite – a de-motivational poster that draws on and reverses recent research findings on what really motivates people.

Description: This assignment is inspired by Despair.com and the quirky, dark humor of its demotivational posters.  Mocking traditional inspirational posters (“Team Work”/ “Perseverance”), these demotivational posters combine beautiful inspiring photographs with some deeply cynical or depressing message.

In groups of …, create your own demotivational poster in Google Presentation. Use ideas from course readings on motivation (if available) or watch the video, “Drive: The surprising truth about what motivates us” (featuring Daniel Pink). Decide on one particular motivational mechanism, turn it onto its head, and create a poster with that new, scientifically valid, “demotivational” message. Use images from Flickr.

Examples of Student Work:

29Oct

Personal Learning Network Visualization

FILED IN CEP 810 | CEP 811 | CEP 812 | Low | Medium | Modeling | Patterning | Perceiving | Quick | Social Studies | Technology No Comments

Abstract:

Description[H1] :

Think about your PERSONAL LEARNING NETWORK.

Who do you connect with?

Where (when) do (did) the connections take place?

What types of things do you learn from these people?

Represent the network visually.

Examples of Student Work:


[H1] I need more info on this one – I can imagine a drawn network map with info-rich nodes…

29Oct

Living Words

FILED IN Abstracting | CEP 810 | CEP 811 | CEP 812 | Low | Medium | Quick No Comments

Abstract: Using only the font, students express the meaning of a provided word.

Description: You will be given a word – use FONTS ONLY to create an image conveys the idea of that word. Use any image editor you are comfortable with. Then, post your word image to our Flickr group.

Goal: “think beyond the tool”

Examples of Student Work:

29Oct

Create your own Manifesto

FILED IN CEP 815 | Low | Medium | Patterning | Perceiving | Project | Synthesizing | Technology 2 Comments

Abstract: This assignment requires students to look very deeply into their own professional practice in order to create a “guiding document” that summarizes (or visualizes) the vast nebulous cloud of knowledge necessary to do their job.

Description: Read the Personal MBA Manifesto at http://personalmba.com/. Well…now it’s your turn to make your own manifesto! This task requires you to look very deeply into your own professional practice and create a “guiding document” that summarizes (or visualizes) the vast nebulous cloud of knowledge necessary to do your job.  Technical knowledge, disciplinary knowledge, management, organization, the list could go on and on.

Now, this assignment may not be what you traditionally think of as an “evaluation” but as you have figured out by now, this class is not about traditional thinking! Think of this document is a rubric of sorts – a statement that you must have certain bodies of knowledge to understand and perform your job.

We are all at different stages in our careers – and we may not have gathered all of the knowledge or experience necessary to perform our jobs. Your manifesto should reflect this.  I’ll use technology as the example here – say you have a rudimentary understanding of how your workplace network functions, but you do not understand TCP/IP, routers, and the like.  As technology leaders, this is something you will need to understand.  So, I would like to see a networking book or two on your “required readings” list.

Document organization and presentation
I would like you to follow the format of the Personal MBA Manifesto (thanks to the creative commons license!) You do not have to stick to books for your reference materials – you can refer to websites, art, software, technical manuals, TV shows, movies or other media.

How long should it be?
The Personal MBA has 21 different organizational “areas.” I would not go over this number. I would shoot for 10-20 topics, with a handful of resources below each.

What is the thinking behind this assignment?
My goal with all of our “major assignments” is for you to create meaningful artifacts that live beyond CEP 815. I envision the product of this exercise as something you will be able to share with colleagues, supervisors or potential employers and as a document that will grow and evolve along with your career.

Examples of Student Work:

Take a look at the[H1] student gallery from 2008 to see examples of how other students conceptualized and executed this assignment.


[H1]Link didn’t work when I tried it

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