27Dec

Subverting presentations tools

FILED IN Abstracting | Art | CEP 817 | Half Day | Medium | Music | Science | Social Studies | Synthesizing | Technology No Comments

Abstract: In a free-standing or Students utilize Google Presentation to create and post an online presentation that pulls away as far as possible from the traditional bullet-pointed lists of traditional PowerPoint presentations, relying instead on imagery and visuals to get the idea of their choice communicated.

Description: Design an online presentation that breaks the traditional (i.e. bullets and text notes) genre/format of the typical presentations (i.e., the typical PowerPoint presentation). Lest you think this gets away from your ‘bigger picture’ semester web project, you will be designing this presentation with the intention of linking it as an instructional resource on your Big Kahuna website (and, if desired or applicable, for your own teaching). You see, the idea is help each of you think ahead, and maybe provide you one more link for the Big Kahuna project!

By “breaking the genre conventions” of the medium, we simply want you to create a single presentation that applies to some aspect of your subject matter that is a more dynamic, moving, engaging, or aesthetically exciting than typical “straight-text and bullets” presentations that PowerPoint has traditionally employed. Features to include in this might be:

  • Less text/words than we would typically seen in PowerPoint.
  • More images: Take advantage of the visual medium here. There are some great image galleries available online, so consider using them, or any images you have captured with your own camera.
  • Think creatively about the use of transitions (wipes, fades, zooms, etc. etc.) and the pace at which they occur. Each of these transitions conveys different meanings, so the question is how you can harness these effects to powerfully convey your idea.
  • Possibly use audio or multimedia elements (only if you choose to, this is not a requirement). Narration or a music soundtrack can add an entirely different and creative aspect to a presentation, if it is applicable.
  • “Anything (well, almost anything) goes” here, so if you have any other ideas on ways you want to subvert the genre and make your PowerPoint more interesting, please feel free to try them.

Two free online tools to make presentation you can use is Google Presentations, launched as part of Google Docs & Spreadsheets or ZOHO Show. You could choose one of these tools to make your presentation and publish your presentation online. In the case of the original CEP 817 course, the presentation was additionally to be posted as a link on the student’s individual Big Kahuna or CEP 817 website space.

There is no slide limit or requirement as length will vary by individual, depending on what you want to teach your audience. It should simply be enough to encapsulate the main idea in an interesting way, but not so much as to overwhelm in a single presentation. This presentation could be an introduction to your big idea, an overview/summary of your idea, or it could simply focus on a particular aspect of your idea and focus on that in more depth.

Note: We realize that an online presentation, out of the context of the live presentation itself, can be a little difficult for the new/outside viewer to understand. If you feel that your presentation could be accompanied by a little explanation/exposition you are welcome to include some separate explanatory text, either on your website or in a separate notes file (posted wherever you like).

Examples of student work:

History of the assignment:

Suggestions for grading etc.:

27Dec

Good / Bad Design

FILED IN Art | CEP 817 | Half Day | Low | Modeling | Perceiving | Technology No Comments

Abstract: Equipped with some examples as a starting point, students identify and present examples of good and bad design in everyday life – from appliances to websites, in order to reflect on the essential features of good design.

Description: Over the course of the semester, or in a one-time-only brain reflection task, students are asked to identify examples of good and bad design. To illustrate what is meant by “good” and “bad” design, some examples are given in this PowerPoint file or through the Google Presentation document.

Some questions to think about – and to discuss in the presentation:

What does design do for us? I.e., why is design important?

What is common to all examples of bad design?

What was missing? What went wrong? Why?

What is common to examples of good design?

Examples of student work: You can also discuss this (and other issues related to good and bad design) in a virtual discussion group specifically created for this purpose, as in the original CEP 917 course. Go to the discussion forum...

History of the assignment:

22Dec

Making teaching suspenseful and post-dictable – A reflection task

FILED IN Art | Embodied Thinking | English | Foreign Language | Half Day | Low | Math | Music | Patterning | Physical Education | Science | Social Studies | Synthesizing | Technology No Comments

Abstract: Guided by exemplifying video clips, students are invited to reflect on their own teaching in terms of the degree to which it builds anticipation and “comes together” in a meaningful big picture at the end of a lesson or course.

Description:

Good teaching is (among a long list of other good things) postdictable, i.e. something that is “surprising initially, but then understandable with a bit of thought.” it walks the line between predictability and chaos, and most importantly makes sense post hoc. See these posts here and here on the idea of postdiction.

Step 1:

Consider the characteristics of “postdictable teaching”:

Postdictable teaching keeps us engaged, keeps us waiting for more, the payoff as it were. And best of all, once all the pieces are in, we can’t wait to go back and review everything again, to see just how beautifully the whole thing holds together. There is a strong aesthetic component to this – a sense of wholeness, closure, elegance, and inevitability. Good poems have this quality, as do mathematical theorems. A well crafted lecture or a lesson plan has this quality as well. In my mind these ideas are closely tied to the Dewey’s idea of experience and to the idea of design. Closely connected to the idea of postdictable is the idea of creating anticipation and suspense.

However making suspense work is difficult. Navigating this line between predictability and tension over the unknown is a fine art. Check out the two videos below, which highlight just how fine the line is between succeeding at creating suspense and anticipation and failing to do so. Both of these videos are interesting and well made – both have pace and rhythm but one of them builds anticipation while the other just happens. One tells a story, the other doesn’t.

Step 2:

View sample videos and reflect on teaching:

Watch both videos and ask yourself which one “works” in this sense and which one doesn’t.

Here’s one…
Blue Thousand and One from Blue Man Group HD on Vimeo.

… and here’s another:

Music Painting by JUL & MAT from JUL & MAT on Vimeo.

So what do you think? Both these videos were cool to watch – but don’t you think the one from the Blue Man Group a tad more interesting, both in its buildup and its dénouement? Even within its short time frame, the video sets up a narrative arc and creates, something akin to a classical dramatic structure. In contrast the second video, though visually interesting through out, loses steam somewhere half-way through. The action begins to seem repetitive and the movie lacks a narrative thrust. It lacks drama.

So what does this mean for teaching?

First, everything we do as educators needs a larger goal (the big picture as it were). Too often we get lost in the minutia of of the project and forget the broader, overarching frame. The structure of our lessons, our semester, our mini-activities needs to have a larger narrative thrust, a dramatic flow. A beginning, a middle and an end. A good science activity can have them all. So can a well designed social studies activity.

Second, every thing we do as educators needs to be subservient to meeting that larger goal. The Blue Man group movie works because each frame (and musical note) is part of a larger story being played out in front of us. Not a frame is wasted. In contrast, you could take away a chunk of the second and I doubt anybody would even notice. The first is design for anticipation, for postdiction. As educators this means that we can’t give our students stupid-work (like most seat work at school) but rather every assignment needs to inform the larger picture and in turn be informed by it.

Step 3:

Written/video/audio Reflection on moving your own teaching toward postdictability:

Take something you teach (whole course, specific module/lesson) and view it under the lens of suspense and postdiction. To what extent do individual activities and content come together to a larger, meaningful whole in the end, as opposed to simply checking off covered units? If your teaching resembles the ‘music painting’ more than the ‘blue man’ video, what are concrete ways in which you may be able to move it from the former more toward the latter? Share your 3 -5 best ideas via a medium of your choice.

Examples of Student Work:

History of the Assignment:

01Nov

The 60 Second Lecture

FILED IN Abstracting | English | Half Day | Medium | Modeling | Music | Science | Short | Social Studies | Synthesizing | Technology 1 Comment

Abstract: Students create a highly focussed 60-second lecture on a topic in their fields along suggestions made in the context of online-courses.

Description: The 60 Second lecture is a trend that is sweeping through online courses (see this article in the Chronicle of Higher Education These lectures are gone in 60 seconds). As the article says,

“Take a 60-minute lecture. Cut the excess verbiage, do away with most of the details, and pare it down to key concepts and themes. What’s left? A “microlecture” over in as few as 60 seconds.” A course designer for San Juan College, a community college in Farmington, N.M., says that in online education, such tiny bursts can teach just as well as traditional lectures when paired with assignments and discussions. Skeptics, however, argue that lectures involving sustained arguments, such as literary analyses or explanations of complex equations, cannot be boiled down in this way. With these limitations in mind, the goal of this assignment is to create a 60 Second Lecture on a topic in your field. While boiling your topic down to its very essentials, consider the information provided on this page that lists handy tips for creating such lectures.

Examples of Student Work:

01Nov

Picturing Words

FILED IN Abstracting | CEP 818 | English | Foreign Language | Half Day | Low | Modeling | Short | Synthesizing No Comments

Abstract: This assignment asks students to define 10 vocabulary words graphically with a concrete image that captures the words essence, thus breaking out of the infinite regress of using words to define other words.

Description: At the heart of the assignment is an “old school” task: “Define 10 vocabulary words, and learn their meanings.” But, inspired by Michael Hughes (a CEP 818 alumnus), we are adding a “tech” component in that the definitions have to be graphics that illustrate the essence of the words. How about that for breaking out of the infinite regress of using words to define other words!

Gather as much information about the range of meanings of the word to be learned as possible – be sure to get a thorough understanding of the word in order to match it up with the most fitting picture. You will most likely have to make a decision between multiple possible visualizations of the same (more or less abstract) term, such as “eclectic,” but your choice should be a deliberate one. Don’t just go with the first image that “somehow works.”

Post your ten images to your blog – we will discuss your choices and those of your classmates in class/via blog responses, to see firsthand the range of possible meanings a given word can carry.

Purpose: This assignment works on many different levels:

1)    Students have to truly understand the word to come up with an appropriate picture.

2)    Second, engaging in this activity makes the words (which are often quite abstract) “concrete” in their minds in a powerful kind of way. There is of course an interesting paradox here. Words, these black squiggles on a page are often the most abstract form of representation – receiving their strength from this abstractness. The word “eclectic” for instance is a really abstract representation of the idea of eclectic. Making the word concrete in an image gives it a “here-now-ness” that helps understand its meaning.

3)    Third, and the flip side of the paradox, the danger of becoming too concrete via images, is undermined by the sheer variety of pictures that students have come up with to represent the same word, which is why students are asked to view and comment on each other’s work via blog posts and/or in class. This means that students receive a rich range of possible meanings of a given word, and through that the concrete and unique nature of “an” image is broken down.

4)    Fourth, the assignment brings a layer of visual literacy to a standard “old school” purely verbal task, pushing students to think about issues related to the strengths of visual versus verbal representation.

5)    Fifth, and finally, putting it online means that this assignment and student works can now be easily shared with others (as Michael did with Punya, as his students do with each other, and we are doing now via this website).

Examples of Student Work:

Here are some links to work that his sixth grade students have done. Some of the images the students came up with are just wonderful[H1] .


[H1]Some of these links may need verification

29Oct

Jing – Off

FILED IN Abstracting | CEP 807 | CEP 817 | CEP 818 | Half Day | High | Medium | Short | Technology No Comments

Abstract: In only 10 minutes, student teams of two record a screencast on an educational technology topic of their choice.

Description: It’s time for the annual MAET Jing-Off!

Here’s the challenge – as a group we’re going to create 10 screencasts, in 10 minutes! We did it last year (see below) and now it’s time to raise the bar.

We will put you into teams of 2 and you will have 1 hour to decide what the topic of your screencast will be and lay out the plan.  The constraints are quite loose, it has to be educational technology related and it should be something you think is cool and that the world at large should know!

When the buzzer goes off after the hour planning session, we’ll put you into position and you will have 10 minutes to record your screencast!

The screencast should be no longer than 2 minutes in length.

Publish to screencast.com and post a link to the screencast in the comment box below!

Examples of Student Work:

(http://edublog.techsmith.com/2009/07/michigan-state-university-maet—its-a-jing-off.html)

29Oct

Haiku – Stop Motion

FILED IN Abstracting | CEP 807 | CEP 817 | CEP 818 | Deep Play | Half Day | High | Medium | Modeling | Perceiving No Comments

Abstract: A French Haiku (short poem) is to be visualized in a 30-second video using stop motion techniques.

Description: You will be placed in teams of four and given a haiku (in french) to visualize using stop motion techniques. (You may have to use Babelfish (or Jean Pierre) to translate the haiku.)

You will be given you a brief tutorial on how to make a basic stop motion video using the tools you have been exploring for your iVideo.  You may choose to do it with one of the tools you are (getting) familiar with OR you can take things to the next level and choose to use one of these three tools:

http://www.kudlian.net/products/icananimate/
http://boinx.com/istopmotion/overview/
http://www.stopmotionpro.com/

This is one of those “trick” scenarios…you have to decide if adding a new technology to the mix is worth the stress – do you want to focus on the tech or the content?

The video must be :30 seconds long (+/- 1 second)

You must have 2 title screens, one with the names of your group members and one with the text of the haiku. (These do not count towards the length of your video.)

After the tutorial you will have the several hours to work solely on the Quickfire.  Finished videos will be collected on a hard drive for a viewing party.

Examples of Student Work:

GROUP A

Parlant avec l’océan
coquillage contre l’oreille
- la petite fille.
-Jean-Louis Bouzou

GROUP B

La pluie a volé
le parfum des lias
lune rousse
-Clod’Aria

GROUP C

à la cloche du matin
combien de feuilles as-tu encore perdues
cerisier dans la brume
-Pierre Courtaud

GROUP D

Juste un sac
et la lune…
Et de folles branches à l’arbre
-Jean Marc Demabr

GROUP E

Fonte des neiges
Le vieil épouvantail
a les pieds dans l’eau
-Bruno Hulin

29Oct

Digital Photo Assignment: Claymation Project

FILED IN Half Day | Low | Modeling | Short No Comments

Abstract: Creating a short comic strip out of digital pictures of self-made play-dough characters enacting a short nursery rhyme or children’s story allows students to exercise their dimensional modeling capabilities in a playful way.

Description: Create a short storybook/ comic strip using photo’s taken of clay (play-dough) characters. An example is provided below. There is also a recipe for homemade play dough here. The final product will include the following items:

1. Story – should be a short poem, nursery rhyme, or child’s story. It should be long enough to take 4-5 pictures of different scenes in the story.
2. Background – may be drawn, construction paper, natural, anything goes as long as it represents and supports the part of the story you are photographing. Detail is important.
3. Clay (play-dough) characters – characters in the story are created using clay or play-dough. You will use the same characters throughout the story and add characters as often as needed to tell the story. Reposition the characters as needed to ‘animate’ them.
4. Props – add items to the scene to help tell the story. These can be created or real items. Should represent and support the part of the story you are photographing.
5. Story Book Pages – Use Microsoft Word or any other document creation software to create your story. You will put one picture per page of the story or create a comic type layout. The text of your story should be somewhere next to each picture. You may be creative with how the text is laid out and you may use word art. Have fun with this part. You can have your words look like they are acting out the text, or stick to a more traditional layout.

Examples of Student Work:

29Oct

Digital Photo Assignment: Search for Hidden Truths

FILED IN Abstracting | CEP 800 | Half Day | High | Low | Medium No Comments

Abstract: Inspired by abstract artists like Matisse or Picasso, students select a particular idea, topic, object, or person, and distill its essential elements into abstractions using various media along with digital photography and picture editing software.

Description: “The lesson we may draw from Matisse, Kelly, Picasso and Lichtenstein is that many abstractions are possible for any given object, each of which illuminates some hidden truth. One might say that reality is the sum of all possible abstractions and that in coming to know these possibilities, we understand reality better” (Sparks of Genius, p. 81).

Based on these ideas, you are asked to explore the various abstractions for an idea, topic, object, or person related to your subject matter (e.g., velocity, justice, gravity). It must be something for which you can generate abstractions through digital photography. For instance, if you were using a rose, you would photograph it in ways than demonstrate its color, softness, thorns, beauty, etc. Your goal is to best approximate the “reality” of your item in 2-3 pictures. In doing so, you must try to distill its essential elements and find abstractions for each. You will then post the abstracted pictures to your blog, along with a picture of the original object, 3-4 pictures in all.

You can show us the idea, topic, object or person’s essential qualities in any way you wish. This can include both their physical and psychological qualities. To create an abstracted version of your idea, topic, object, or person you can use any sources and mediums you desire beyond the original photograph – from taking the original photo into an editing program like Photoshop or Paint and rearranging it, to playing with the light, or depth of field – or using other mediums to get the abstracted quality you are seeking, such as real paint, clay or ink. The goal is to show us the essential qualities of the idea, topic, object, or person you photographed.

Examples of Student Work:

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