07Sep

Deep Dive MAET Style 47 Hour QF

FILED IN Abstracting | Cognitive Tools | Deep Play | Duration | Embodied Thinking | Full Day | Modeling | Patterning | Perceiving | Synthesizing No Comments

After watching the Deep Dive videos about the design group IDEO (part 1, part2, part3), two “design groups” were formed (7 students in each group) to embark on the longest QF in the history of MAET.

Assigned on Monday morning of the final week of the MAET overseas program, these groups were asked to created the following by Wednesday morning at 8:30:

- Eight Web based multimedia introductions to each of the sections developed on the companion site for our text Sparks of Genius: http://sparks.wiki.educ.msu.edu/
(that is, the introductions could be any technology that can be embedded in a Web page (video, prezi, audio, combinations, etc.))
- These eight sections related to Sparks chapters as follows: Thinking Differently (chapters 1 and 2); Perceiving (chapters 3 and 4); Patterning (chapters 6 and 7); Abstracting (chapters 5 and 8); Embodied Thinking (chapters 9 and 10); Modeling (chapters 11 and 12); Playing (chapters 13 and 14); and, Synthesizing (chapters 15 and 16).

Project specifications:

- Each individual introduction should be one minute or less

- Each set of eight videos for each group should follow the same genre, approach, style, theme, etc. (that is, team 1 was to design a cohesive set of eight videos, and team 2 their own cohesive set based on a different approach)

- Each introduction should be designed to entice, encourage, compel, or otherwise convince K-12 teachers to read that specific section (collection of two chapters) of Sparks and the companion wiki pages

- Ideas for this project were to be focus grouped with year 1 and year 2 cohort students

Team specifications:

- Each team needed to determine a “lead adult” to lean on when guidance and structure are needed

- Each team will had $25,000 to spend in developing their project.  This money could be spent on consulting with course instructors, or on focus groups with year 1 or year 2 students.  (Creative questions  cost $1,000 per question – technical or content questions cost $500 per question.  Each 15 minute focus group with year 1 or year 2 students costs $1,000).

Evaluation:

- On Wednesday morning, all sixteen videos will be shown to a panel of experts.  They provided a rating for each set of videos based on the following:

1. Overall creativity of the project
2. Creative use of technology in the project
3. Content accuracy based on Sparks
4. “Quality” as defined (or not defined) by Zen and the Art of Motorcycle Maintenance

- Students were told only one set of videos would be selected for integration with the wiki, and that they would be “rewarded accordingly” :)

Hints given to groups:

- Focus on creativity, technology, and teaching.  Don’t forget about the technology piece in your project (both in use and message).

- Because eight sections will be similarly themed, the “idea” for how to present you arguments is critical.  Don’t move forward until you think you have that nailed down.  Use some of the strategies from Deep Dive to make sure it is a killer idea.

22Dec

Making teaching suspenseful and post-dictable – A reflection task

FILED IN Art | Embodied Thinking | English | Foreign Language | Half Day | Low | Math | Music | Patterning | Physical Education | Science | Social Studies | Synthesizing | Technology No Comments

Abstract: Guided by exemplifying video clips, students are invited to reflect on their own teaching in terms of the degree to which it builds anticipation and “comes together” in a meaningful big picture at the end of a lesson or course.

Description:

Good teaching is (among a long list of other good things) postdictable, i.e. something that is “surprising initially, but then understandable with a bit of thought.” it walks the line between predictability and chaos, and most importantly makes sense post hoc. See these posts here and here on the idea of postdiction.

Step 1:

Consider the characteristics of “postdictable teaching”:

Postdictable teaching keeps us engaged, keeps us waiting for more, the payoff as it were. And best of all, once all the pieces are in, we can’t wait to go back and review everything again, to see just how beautifully the whole thing holds together. There is a strong aesthetic component to this – a sense of wholeness, closure, elegance, and inevitability. Good poems have this quality, as do mathematical theorems. A well crafted lecture or a lesson plan has this quality as well. In my mind these ideas are closely tied to the Dewey’s idea of experience and to the idea of design. Closely connected to the idea of postdictable is the idea of creating anticipation and suspense.

However making suspense work is difficult. Navigating this line between predictability and tension over the unknown is a fine art. Check out the two videos below, which highlight just how fine the line is between succeeding at creating suspense and anticipation and failing to do so. Both of these videos are interesting and well made – both have pace and rhythm but one of them builds anticipation while the other just happens. One tells a story, the other doesn’t.

Step 2:

View sample videos and reflect on teaching:

Watch both videos and ask yourself which one “works” in this sense and which one doesn’t.

Here’s one…
Blue Thousand and One from Blue Man Group HD on Vimeo.

… and here’s another:

Music Painting by JUL & MAT from JUL & MAT on Vimeo.

So what do you think? Both these videos were cool to watch – but don’t you think the one from the Blue Man Group a tad more interesting, both in its buildup and its dénouement? Even within its short time frame, the video sets up a narrative arc and creates, something akin to a classical dramatic structure. In contrast the second video, though visually interesting through out, loses steam somewhere half-way through. The action begins to seem repetitive and the movie lacks a narrative thrust. It lacks drama.

So what does this mean for teaching?

First, everything we do as educators needs a larger goal (the big picture as it were). Too often we get lost in the minutia of of the project and forget the broader, overarching frame. The structure of our lessons, our semester, our mini-activities needs to have a larger narrative thrust, a dramatic flow. A beginning, a middle and an end. A good science activity can have them all. So can a well designed social studies activity.

Second, every thing we do as educators needs to be subservient to meeting that larger goal. The Blue Man group movie works because each frame (and musical note) is part of a larger story being played out in front of us. Not a frame is wasted. In contrast, you could take away a chunk of the second and I doubt anybody would even notice. The first is design for anticipation, for postdiction. As educators this means that we can’t give our students stupid-work (like most seat work at school) but rather every assignment needs to inform the larger picture and in turn be informed by it.

Step 3:

Written/video/audio Reflection on moving your own teaching toward postdictability:

Take something you teach (whole course, specific module/lesson) and view it under the lens of suspense and postdiction. To what extent do individual activities and content come together to a larger, meaningful whole in the end, as opposed to simply checking off covered units? If your teaching resembles the ‘music painting’ more than the ‘blue man’ video, what are concrete ways in which you may be able to move it from the former more toward the latter? Share your 3 -5 best ideas via a medium of your choice.

Examples of Student Work:

History of the Assignment:

22Dec

Weekly Reader: Social Bookmarking

FILED IN Art | CEP 815 | Embodied Thinking | English | Foreign Language | Medium | Patterning | Perceiving | Science | Short | Social Studies | Synthesizing | Technology No Comments

Abstract: Using the social bookmarking application del.icio.us, students facilitate the flow of data, information, knowledge and wisdom in their area of interest by making a minimum or 4 targeted weekly referrals of sites and links from their RSS feeds.

Description: On a weekly basis, students are asked to dig into their RSS aggregators and to take a few minutes to reflect on an article/link that comes their way. An effective way to manage the incoming content is to open things that sound interesting in a new window, and keep scrolling until one has glanced at everything, and then, to read the 3 or 4 things that really caught one’s eye. These items should be bookmarked and tagged with del.icio.us. For this assignment, this tagging routine is taken one step further by requiring students to fill out the notes field in the del.icio.us site. The notes field  allows users to type 255 characters – about 40-50 words. When filling out the notes field, students are asked to answer the following:

“why did you tag the site, why did it catch your eye, how did you find it, why is it useful to you?”

Weekly Assignment Requirements:

-tag a minimum of 4 “things” with del.icio.us

-use the tags – “CEP815″ and “weeklyreader” (so your instructor knows which ones to count towards the assignment)

-annotate the notes field

Steps for tackling the assignment:

Step 1: Make sure everyone in class is in your del.icio.us network. Here are directions on adding others to your network (most of you have already figured this out!): http://del.icio.us/help/network

Step 2: Tag a site “for” someone in class. If you installed the del.icio.us browser tools, you will see your network show up when you click on “tag”. As you are tagging a site, if you click “for:gravesle,” then Leigh Graves will see “Links for you (1)” highlighted in the navigation bar when she visits her del.icio.us page.

Step 3: PLAY!

Lots of outside developers have created websites that interact with del.icio.us to create visualizations of your content – there is A TON OF POTENTIAL to use these in educational settings!!! 3rd party tools can be found here: http://del.icio.us/help/thirdpartytools

Here’s how to get the del.icio.us feed to appear in MSU’s ANGEL system: http://feed2js.org/

Examples of Student Work:

History of the Assignment:

01Nov

Seeing Differently (Veja Du with Video)

FILED IN Abstracting | Art | Full Day | High | Medium | Patterning | Perceiving | Science | Technology No Comments

Abstract: This is another exercise in looking at the world differently – of making the familiar strange and the strange familiar. This assignment is the moving-pictures version of the “Véjà du” assignment also listed on this page.

Description: There are many ways of creating a Véjà du-Video that makes the familiar strange and the strange familiar. For example, by taking a picture of an object at extended intervals (e.g. hourly, daily, weekly, depending on the rate of change in the depicted object) and editing these images together using[H1] …….., the object or scene can be brought to life in unexpected ways. For an illustration, see the “breathing apple” linked below. Conversely, slowing a scene down can bring out qualities that are usually outside of our awareness (the slow-motion view of a rain drop hitting the surface of a glass of puddle of water is an example). Other ways to go about this assignment are capturing the organic features of non-living things, such as the unfolding packaging materials in the “Packaging Life” video below, or drawing out stable patterns from moving scenes (as when a busy traffic intersection at night turns into a stream of bright lines when shown in quick motion).

Examples of Student Work: See these very interesting video examples of this on the site LikeCOOL. This site has everything from after-office neckties, to inflatable boxing gloves… but in between these crazy things are some cool videos. Here are three (in increasing order of coolness[H2] ):

Specific software?

Insert video links

Slow Moscow (ART) from Andrey Stvolinsky on Vimeo.

Ecological apple (experimental short) from Andreas Soderberg on Vimeo.

“Packaging’s Life” from Silvio Giordano on Vimeo.

29Oct

Personal Learning Network Visualization

FILED IN CEP 810 | CEP 811 | CEP 812 | Low | Medium | Modeling | Patterning | Perceiving | Quick | Social Studies | Technology No Comments

Abstract:

Description[H1] :

Think about your PERSONAL LEARNING NETWORK.

Who do you connect with?

Where (when) do (did) the connections take place?

What types of things do you learn from these people?

Represent the network visually.

Examples of Student Work:


[H1] I need more info on this one – I can imagine a drawn network map with info-rich nodes…

29Oct

Create your own Manifesto

FILED IN CEP 815 | Low | Medium | Patterning | Perceiving | Project | Synthesizing | Technology 2 Comments

Abstract: This assignment requires students to look very deeply into their own professional practice in order to create a “guiding document” that summarizes (or visualizes) the vast nebulous cloud of knowledge necessary to do their job.

Description: Read the Personal MBA Manifesto at http://personalmba.com/. Well…now it’s your turn to make your own manifesto! This task requires you to look very deeply into your own professional practice and create a “guiding document” that summarizes (or visualizes) the vast nebulous cloud of knowledge necessary to do your job.  Technical knowledge, disciplinary knowledge, management, organization, the list could go on and on.

Now, this assignment may not be what you traditionally think of as an “evaluation” but as you have figured out by now, this class is not about traditional thinking! Think of this document is a rubric of sorts – a statement that you must have certain bodies of knowledge to understand and perform your job.

We are all at different stages in our careers – and we may not have gathered all of the knowledge or experience necessary to perform our jobs. Your manifesto should reflect this.  I’ll use technology as the example here – say you have a rudimentary understanding of how your workplace network functions, but you do not understand TCP/IP, routers, and the like.  As technology leaders, this is something you will need to understand.  So, I would like to see a networking book or two on your “required readings” list.

Document organization and presentation
I would like you to follow the format of the Personal MBA Manifesto (thanks to the creative commons license!) You do not have to stick to books for your reference materials – you can refer to websites, art, software, technical manuals, TV shows, movies or other media.

How long should it be?
The Personal MBA has 21 different organizational “areas.” I would not go over this number. I would shoot for 10-20 topics, with a handful of resources below each.

What is the thinking behind this assignment?
My goal with all of our “major assignments” is for you to create meaningful artifacts that live beyond CEP 815. I envision the product of this exercise as something you will be able to share with colleagues, supervisors or potential employers and as a document that will grow and evolve along with your career.

Examples of Student Work:

Take a look at the[H1] student gallery from 2008 to see examples of how other students conceptualized and executed this assignment.


[H1]Link didn’t work when I tried it

29Oct

Reading Assail

FILED IN Abstracting | Low | Medium | Patterning | Quick | Synthesizing No Comments

Abstract: As a group, students divide, conquer and integrate a significant amount of written information in a short amount of time using online collaboration tools.

Description: Summarize all the readings in the archive (posted previously) and how they connect to your (collective) discipline(s)/classroom(s)/personal interests

5 minutes – divide yourself into five teams and figure out how you’re going to divide and conquer the reading workload.

30 minutes – summarize using an online social and collaborative tool.

Return and share.

Examples of Student Work:

29Oct

Digital Photo Assignment: Real World Hidden Pictures

FILED IN CEP 800 | Low | Medium | Patterning | Perceiving No Comments

Abstract: By searching for and recording hidden pictures in real world objects and surfaces, students exercise their perceptual patterning skills.

Description: You are all familiar with hidden pictures; you have seen them in Highlights Magazine, activity books, in spider webs – (good old Charlotte), in the sky, art, etc.

For instance, you might be asked to find a sailboat, shoe, banana, screwdriver, heart, needle, fish, horn, scissors, ring, musical note, and hat in the picture below. (This is just an example, no need to complete the puzzle!)

For this assignment, look for hidden images within our everyday world. These can be found in wood grain patterns, water stains, brush strokes on walls, asphalt, clouds, hair swirls, or any other place you can think of finding unintentionally hidden pictures. Submit 2-3 photographs:
1) A photo of the pattern from a distance, so we can see where the ‘hidden picture’ surfaced from.
2) The ‘hidden picture’ close-up, so we can tell what the hidden picture is.
3) (optional) The same picture as # 2 after editing the picture to include a tracing or highlighting of the “hidden picture” so that we can all see what you see, and for practice with photo-editing software. You can use your favorite editing program! One suggestion is Picnik.com.
In your blog post, be sure to indicate what the hidden picture is of.

Examples of Student Work:

29Oct

Digital Photo Activity: The Dinglehopper/Fork Activity

FILED IN CEP 800 | Low | Patterning | Perceiving | Short No Comments

Abstract: By imagining unusual uses for everyday objects and recording them in pictures, students exercise their imaging skills much like Ariel the mermaid and Scuttle from Disney movie.

Description: Call to mind your inner Ariel from the childhood Disney movie. Ariel likes to collect artifacts that she finds from the humans and save them in her grotto. In one scene, we see a fork, but she and Scuttle see a dinglehopper: “In fact, Scuttle even demonstrates how to use a dinglehopper… Whether or not you see it as a fork or “re-see” it as a dinglehopper, the possibilities for this object are endless!”Ariel and Scuttle’s exchange provides the essence of this assignment.

There are two basic expectations:
1. As a group (in your assigned groups), choose an object, any object. Take a picture of it in its natural habitat. That is, the object should appear to be “as it should be.” For example, if your group was to pick a fork as their object, they would first need to take a picture of the fork where you would typically expect to see it (i.e. a silverware drawer, table setting, on a plate with food, entering someone’s mouth).
2. Now each person in the group needs to take one picture of the same object being used in some new and unusual way. Please post these images to your blog. Each individual should post the group photo (which should be the same picture) and the picture of this object out of “natural context” on their blog in the same entry.

Examples of Student Work:

TOP